'I didn't really want to be an actor. It happened by accident. I didn't know how to deal with the stardom and what came along. I was 20, and had not planned it, so it was very stifling for me.' Welcome back, Arvind Swamy!
'Prashant has left us and it is really tragic. But I want to hold on to those little moments of happiness that he shared with me and with others whose lives he touched. That is how I want to remember him.' Aseem Chhabra pays tribute to Patang director Prashant Bhargava, who passed away on May 16. He was only 42.
Om Puri, notes Arthur J Pais/Rediff.com, has given one of the most endearing performances of his career in producers Steven Spielberg and Oprah Winfrey and director Lasse Hallstrom's new film, The Hundred-Foot Journey
'Madhuri is the best (dancer). She's is not mechanical. Most dancers like Aishwarya, Deepika, Priyanka and Kareena are fabulous but I don't see then enjoying it the way they should. Their focus is on, 'Am I looking beautiful?'' Straight talk from choreographer Terence Lewis.
'We cannot be the country that created the Kamasutra and then we show flowers kiss and a child is born.'
'We wanted to make a true coming-of-age story since all of us have been through adolescence.' 'Most people are afraid of commenting on what these boys go through behind closed doors.' 'We just wanted to bring out that truth. People know what adolescents do, but they do not know how they do it.'
Brilliant cinema at the ongoing Mumbai Film Festival, raves Sukanya Verma.
'The best Indian movies today are ones that portray life as "something that doesn't end when the movies do".' 'There's no real arc to traverse or easy lessons to learn. And Irrfan and Nawazuddin -- who can both swerve a movie purely on the strengths of their instincts -- are just the perfect actors for this kind of movie sensibility,' says Sreehari Nair.
'I don't know how they dared to send Krrish for a National Award. It was a horrible film! Films like Dabangg and Bang Bang are trash films. Goliyon Ki Rasleela: Ram Leela was so bad; only the music was good. Straight talk from Garm Hava director M S Sathyu.
Over Dosas in Mumbai, Oscar winner Megan Mylan tells Vaihayasi Pande Daniel why she chose India and girls empowerment as the subject of her new documentary.
The 1960 epic continues to enthrall unlike any Indian film ever
